Spat out sentences like life, or death.
To do, or not to, no matter how much you want to. Don’t.
Use your mouth for a pencil and an audience like paper.
Fill them. Move them. Ruined. Stained. Like ink on a page.
And better be. For the money they paid.
Hardback wood seats embedded engraved copper
with the names of other patrons. Burgundy curtain.
Beige carpet. Used to be a movie theater.
Now a playground for the grown followers of Peter Pan.
A medicine cabinet to those who still take sugar by the spoonful.
By the roomful. Mouths all held agape and waiting.
Debating, could I do that if I wanted to?
Wear an ashy old hat and hum into a warped kazoo.
Sing a line of comfort, out loud, and acquire a choir
of voices who fear making no such choices.
Already out in the light waiting to be spotted.
Nervous wiggling swords in the wings.
Say a few words, then she sings.
And in just a few minutes,
all hell breaks loose.
Fire and demons and love-lust forgiveness.
Chased by heaven and angels
and everything else guilt invented.
Choreographed to look like chaos.
Words once wet ink spat out like cold coffee.
Like watermelon seeds. Like blood.
A reminder that more goes on inside each instant than any of us would care to admit.
That memory is mostly magic. And reality, despite being neither a game or a toy,
can still be an appropriate thing to play around with.