Write hand has lost its stamina.
Whipped-shaken fingers clacking at the end of every sentence.
And penmanship, embarrassing. Some secretive tribe-speak
encoded only in laziness. Right hand has not been writing.
It has been fighting. Curled close folded like cats on cold nights
hugging leaky windows beside the fire inside.
Forming poorly insulated fists. Lifting over and over
a backpack stuffed with old World Books.
Autographed contemporary poetry reader.
An anthology of lesbian literature.
Throwing weak punches at unflinching air.
Short-hair. Tucked shirt. Alive like all it takes to survive
happens between eight in the morning and five at night.
And it isn’t right for the wrong hand to write too long.
Hardened hands at nothing. Feed clink in crimped metal pans.
Dead goats into clay. Write the very ground into ripe gardens.
Folded and unfolded and massaging keyboards and gripping pens.
And when the write hand has been found not writing, then what then?
How often should a writer have shake out his or her hand,
just to finish a poem?