The Stage – New Paint

Each scuff on the stage is some poor character’s misstep.
Clunky unfamiliar shoes. Heavy heeled.
Scarred the thick black matte some poor soul was paid to paint.
So many scuffs in the same space seem to create a scar.
A gouge. A place gone bare.
Where now the plywood can be seen.
Winking.
Like a relative.
Like a minister of some kind closing only one eye with a headnod.

A family made up solely of the unfamiliar.
Strangers. Who share blood. When we squeeze the egg.
Globs of it left out glistening on the floor.

So many scars and you start to see real damage.
Splintered fibrous tissue torn up through the paint.
Same missteps.
Sudden stops.
Wide eyed wonder and anchor jawed acknowledgment.
Brakes struck down through the boots now officially digging into the structure.
The lumber-boned and lead-skinned body of our theater. Footsteps.
Stumbles. Outright tumbles. Foot falls. Close calls.

Memory.

So many misdirected footsteps wearing unfamiliar shoes.

Then new paint.

What is new paint put up against the past.
Scuffed. Broken. Peeled up.

But if we didn’t paint it every year
there’d be no stage left.

Little Red Tractor

Chiggers infest my shoulders. Poison ivy bumps lie dormant like volcanoes
threatening to burst-break open lava fields of radiant rash. Bruise-dents
in knuckles from slipping off wrenches. Been putting work in.

And like writing. My hands show it.

Callused fingers grip lovingly around a sharp liquid filled pen.
Cage of blue bars with letters hooked like fingers
through the chain-link notebook of time.
Yellowed paper. Burping up banana and water and beer.
Acrid washed pallet.
Me breathing through my nose.

We turned locked bolts I disbelieved would budge.
Stretched taught rubber bands beyond the point of breaking
against thin grooved rust red tracts fit centered
on the seven spoked PTO pulley wheel.

Mowed paths all over one hundred and thirty dirty overgrown acres.
Offered up this heavy blade spinning prayer. And saw it answered.

A baby cottontail bounded headlong terrified just in front of tri-grooved
fourteen inch diameter unpowered steering thin black tires. There was a time

I didn’t thank God for cutting things down

like they were made for it.
Smiled over it.
Like I had somehow reclaimed it.
Or made it clean.

I didn’t. I just cut it short. Laid it down.

Edited it.

Marked up land with a little red tractor
like a professor
tears into a paper with a red ink pen.

The Plate

Here folks is my confession. I am the memories of lots of things I’ll never have the courage to tell you about. I love you all the same. With an honestness, and an innocence, that I don’t doubt could hold ten thousand pounds. I have hated myself. I have hated you. I love you all the same.

I struggle, on a daily basis, doing simple things, like smiling at sullen faced strangers and forgiving my neighbor’s dog as I would my own. I’ve put peanut butter clean through the bread on innumerable occasions. My fault for liking crunchy. When I’m looking hard at something that needs to be done, thinking hard, moving, working hard, I find I start to talk hard to the people I love, like you were a stubborn piece of wide white oak or dried on oatmeal left in a coffee mug for a day. I use the scratchy metal brush on you.

I scrape the fine China of other people’s porcelain feelings.

But I leave them clean. And the white oak planed and routed.
And I eat just plain ugly peanut butter sandwiches with the doughy battered up bread.
And I still lick the spoon.

Clean.

My confession.

Bleach and soapy water.

I am a bad person.

The way a dish is dirty. Like laundry. I am ruined. By my very purpose.
I talk hard. I’m way too sensitive and serious. Unforgiving. Made wretched by the wrenching of only all my own devices. I’m biased. And wrong. About a great many things. Yet eloquent. And convincing. I am a talker. And all talkers are sensitive
about being told they’re all talk.

I confess I’m not immune to that.
So I do more than I thought I ever could to stay a step ahead of my greatest fear about myself.

All talk.

Yet. That is what it means to confess. Not to do. Not to offer. Just to speak out loud.
Memories. Thoughts. Worries. Daydreams. Candy kisses and spellbound wishes.
Saying them changes them. Changes everything. Just saying it.

A good confession. No.
It is not your next hot meal.

But it might be the plate it gets served on.

A Thousand Thoughts – Freelance Writer

Writing is not an easy trade. If you’ve ever read anything I’ve written that had any kind of impact, interesting, moving, even annoying or dissonant, it’s because I have practiced at this every day since I was young. I’m continuing my education pursuing a graduate degree in creative writing. And I’m not afraid to say it, I’m good. Frayed around the edges. Diamond self-banished to the rough. But diamond all the same.

Reach out to me, let’s have a conversation,
I might be able to help, whatever the issue.

For all my faults, I have formed at least a thousand thoughts.

I have more than enough to share.

Want – A poem mistitled Love.

I want love the way a single breeze makes all of summer bearable. Dryly washes warm from minds. Heat off shoulders. Tickled sunlight into nibbling instead of gnawing. I want love. Outward. Give. The way I want to live. Kind of already caught up in it and maintaining a status quo before I even know what it really is I really have to live for. Three. Two. One way I love is by biting my tongue. Quetitude. Silace. I brood. Like I just bit a lemon. Clearly thinking all about how I feel about it. But it isn’t citrus, is it? Love. Four letters. Three forms. Two directions. And one great big excuse to crowd out all other excuses. You’re never let off over-easy again. Hard time. Still not hard. Like boiled eggs. Soft as hell. Still stiffer than calcium cradled saliva clear and sunlight yellow centered. Hard time. Beneath a salt shaker. For bites. Three’s the leftovers. Too left over. One rotten stomach. I want to love the way Pepto-Bismol coats the throat and pink lines the gut like in those commercials. I want to be sick. Just so I can take medicine for it.

Labeled love.

I’m not a plumber

If you kind of clench the back of your throat and blow air out slow, almost growling, you can imitate this sound. If you can snip your tongue to the edge of your gums and lips, you can crackle just as the fire did. Rumble, down in your stomach. Without much effort, you can imagine what we were doing here. Smiling. Pat on the backing. Happily projecting.
Like everybody does.

Projectors.

We have a language full of dirty words like a tool box. Screwdriver. Phillip’s head. Good for you Phillip. Nails. Screws. Socket. Stud-finder. Okay. Daddy doesn’t want help with his tools anymore.

Let me do this for you. I’m not a plumber, or an electrician, or a roofer, or a carpenter.

I’m a writer.

Let me set you straight. If you’re reading this, you’re currently caught up in a process we call life. No matter what you have been told, there is no assurance you will ever have another one. You’re not alive on accident, and you’re not alive without stipulation. You, or someone close to you, has been doing a lot of work to maintain you in this state. Alive. For just the one time.

You’re saying things you heard on TV. We know. We heard it too. You’re saying them to people who are speaking about things they did not see on TV, things they lived through, decisions they have made.

Brace yourself.

Television has been lying to you.

The past few days

The things I have done have climbed inside my hands.
Used engine oil. Black grease spiraled out an iron jack.
Dad swears it once held up the entire house.
A touch of rash off a three leaved brat like a bracelet
decorating my wrist. Inch long scar from a bowsaw
when I was too young to have had one. White lightning
sunk into my right pointer knuckle from a kitchen knife
I’d forgotten I’d put in the sink. Green veins
peek through stretched thin red window panes
from so much sun the past few days.

The dent. Where the pen sinks in. Black fingernails
half step between pink ivory keys on a self playing piano.

Calluses.
Where there once were blisters.
And scars.
As if I wasn’t going to remember.

The Farmer – Opening Paragraph

Why don’t we think how little control we have over basic life everytime we set an alarm at night? What a nasty trick to play on ourselves. Set a digital trap to ensnare any shred of our senses first thing in the morning. This one first thing in particular, began at five AM, because I had to be at the farm by seven, and I had to have a half a pot of coffee in me before then. And I liked to read and write during that time. I love the early morning. Just as soon as I’ve slapped the sleep out of myself. The most productive hours, I call them, because of how they melt away without much mental cognition into small piles of finished projects and completed records. Beginning, middle, and end. Every sentence. Stacked back to back each paragraph. Every follow after chapter. Until you’ve created your very own titan. A champion the gods themselves must descend and deal with outright. Jesus Christ, we’ve been seeking out an honest terms contest with God for a long long time.

Baguettes

Mistakes are like Old Testament men with infertile wives. Somehow, even left with no direct route, they find a way to multiply. We thought it was love. And out of love, family. But in reality, it was the other way around. We want family, and also love, so long as it leads to a little one who looks and acts enough like me I don’t feel so final about my final trial. Mistakes will copulate, they will take more wives, servants into deep closets. The progeny of mistakes will begin to ooze out of the woodwork like oil off all the fingers and hands that have touched it throughout the decades.

Mistake begets mistake begets mistake.

And in this way, Adam repopulated the world. And Abraham after him. And so on and Noah afterward. Cutting the foreskin off their boys so all women could recognize them. A nametag of sorts. Hey. Eyes are up here. This isn’t about pleasure. This is repopulation. An old man with a sharp knife saw to that. In a sordid old fashioned way, fixing his own mistake.

I will commit to my mistake, so long as a nonspeaking, unknowable, most importantly, non-human deity demands it of me. I will walk my only sun to the top of the mountain and snuff him out like a distant star between my pointer finger and my thumb.

No I won’t.

I will learn to not make a god out of any entity that makes demands. Any object that seeks to undermine the rules of physics that require we all tire out and die when it comes time, for the sake of a story, for the purpose of proving a point, betrays its own laws and rigid guidelines, fixes them like they were mistakes, like stray dogs, is no God of mine. Is no God at all.

That is what you call poorly developed literary device.

I don’t need my universe to make mistakes.
Trust.

I was self-made to make enough for both of us.